Buffalo Nichols

Nichols rarely sounds like a blues singer. Like Leonard Cohen, he dominates these songs with his voice. His low, guttural baritone is high in the mix, and he sounds coiled, clenched tight. The slow drip of his songwriting lends The Fatalist an incredible amount of drama, which the production—at times dark and dewy and claustrophobic, at times zippy with light—further emphasizes.

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